Insights Into Interior Design Designing In Style. Part Iii Traditional – Georgian

Global Interior Design Consultancy Company in London, UK for interior design services.
Interior design has always been impacted by fashion trends – both historically and in the modern day. In this article series, “Designing in Style,” I explore the meaning of style for interior designers. I draw on my experience working alongside many of London’s best-known interior design teams.

This third article in my series continues my discussion of traditional/period design, with a focus on the Georgian style.

In terms of dates, the Georgian period is generally considered to have extended from 1714 until 1830. It has since inspired one of the most popular traditional interior design schemes.

London design was considered world-class in Georgian times – UK craftspeople were highly skilled and uniquely specialised. The wealthiest classes insisted on the highest quality, with exacting standards in terms of dimensions and proportions.

A few designers were particularly famous during the Georgian era. Their names, ideas and concepts live on today in the many homes and residences that feature Georgian-inspired interior designs.

William Kent lived from 1684 until 1748 and was an architect/interior designer who is best known for his tables and chairs which featured extravagant gilt decorations and strong connections to Greek and Roman insignia. Today these traditional designs continue to be used by many London Interior Design Consultancies that specialise in the Georgian style.

Thomas Chippendale is a name famous to many discerning Londoners. This cabinet-maker lived from 1718 until 1779 and designed furniture that was less ostentatious than that of William Kent, consistent with British (and London) tastes at the time, and yet exceedingly graceful and refined. Interior designers today will adopt either Chippendale’s original designs or re-envisionments/replicas of his originals.

Finally, Robert Adam was an architect and interior designer who dominated the 1770s with his vivacious use of Roman and Greek motifs, including urns, tripods, and mythological iconography.

Today, London interior design consultancies tend to be cautious with Georgian designs, recognising that this style can look pretentious if too pronounced. Larger, more spacious London mansions with tall ceilings are best suited to the Georgian style of interior design.

The next article in my series “Designing in Style” moves away from historic traditions and focuses in on a timeless interior design classic – the rural countryside.
Global Interior Design Consultancy Company in London, UK for interior design services.

Insights Into Interior Design Designing In Style. Part I Foundations

Global Interior Design Consultancy Company in London, UK for interior design services.
Interior design has always been impacted by fashion trends – both historically and in the modern day. In this article series, “Designing in Style,” I explore the meaning of style for interior designers. I draw on my experience working alongside many of London’s best-known interior design teams. This first article in my series outlines some of the basic concepts.

One of the first things to note is that we change our interiors much less frequently than we change our clothing. As a result, it is important for the professional interior designer to not design too “fashionable” a room for fear that it might seem completely outdated next year. Certainly it is possible to keep up with furniture fashions – many of which can be seen in London’s monthly interior design magazines – but the professional interior designer will generally prefer to focus on furniture fashions that can be easily changed. Examples include cushions, table decorations, rugs and bed linens.

London Interior Design trends can be very changeable. For example, in recent decades London saw a movement back towards the traditional. The Georgian-style Adam fireplace has seen a major revival, as have other old-fashioned features. Mouldings are very much in style today, and interior designers will commonly include them – whether in plaster or in wood.

Interestingly, the return of the dado rail (even in some of the smaller London residences) has also seen a re-envisioning of the two-tone wall colour scheme. In keeping with tradition, London interior design professionals will often choose a heavier, darker colour below the dado rail and a lighter colour above.

Fabric coordination is very much in vogue. With the increased availability of bespoke fabric centres in and around London, interior designers will often nowadays choose fabrics that are manufactured to match papers, borders, carpets, ceramics and even porcelain.

Finally, style should always be understood in the context of the available interior design space. No two rooms are identical, and every room has both strong points and weak points. The most experienced interior designers will choose styles that can showcase a room’s strengths while hiding its weaknesses. Examples of weaknesses in a room might include some structural re-engineering made by a previous owner, or perhaps an awkward architectural design fault that cannot be remedied today.

In the next article in this series on how interior designers “design in style,” I will introduce you to two of London’s most timeless design styles – Georg
Global Interior Design Consultancy Company in London, UK for interior design services.

Principles Of Interior Design

Scientifically one can break interior design down into a few design principles. But be aware because these are not rules, rather see the principles as fundamental underpinnings for a feeling, flair or intuition to interior design.

Principle 1: UNITY

When doing interior design it is necessary to think of the house as a totality; a series of spaces linked together by halls and stairways. It is therefore appropriate that a common style and theme runs throughout. This is not to say that all interior design elements should be the same but they should work together and complement each other to strengthen the whole composition. A way to create this theme or storyline is with the well considered use of color.

Principle 2: FOCAL POINT

Interior design’s biggest enemy is boredom. A well-designed room always has, depending on the size of it, one or more focal points. A focal point must be dominant to draw attention and interesting enough to encourage the viewer to look further. A focal point thus must have a lasting impression but must also be an integral part of the decoration linked through scale, style, color or theme.

Principle 3:BALANCE

Balance can be described as the equal distribution of visual weight in a room.
The simplest, and most formal type of balance is symmetrical balance, where the same objects are repeated in the same positions on either side of a vertical axis, such as one would find in old fashioned state or gala rooms.

Asymmetrical balance is more appropriate in design today. Balance is achieved with some dissimilar objects that have equal visual weight or eye attraction. Asymmetrical balance is more casual and less contrived in feeling, but more difficult to achieve.

Principle 4: PROPORTION

Proportion refers to the relative size measured against other elements or against some mental norm or standard. This design principle is of extreme importance when decorating a room.

Principle 5: RHYTHM

In musical terms we would describe rhythm as the beat or pulse of the music. In interior design, rhythm is all about visual pattern repetition. Visual rhythm is based on movement. As in music, rhythm in design can also be staccato – abrupt and dynamic or legato – connecting and flowing.

Principle 6: COLOR

Color is an element that tends to inspire emotion in people because color has an influence on the value of life above and beyond other considerations. Colors therefore have a definite impact on the atmosphere that you want to create when doing interior design.

Principle 7: DETAILS

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Decorating Your Home With Pine Furniture

When the time comes to change the way your home looks and feels on the inside you should consider decorating your home with pine furniture. Changing the paint on the walls, the color of your carpets, even your drapes can make a difference, but when you add the refreshing look of pine to your home, you can really create a whole new look.

Most people tend to overlook the beauty of pine furniture, considering it to be nothing more than rustic or country style furniture that does not belong in a modern home. Those who feel this way are missing out on furniture that is more naturally unique than any other real wood furniture on the market. Each individual piece will be replete with its very own pattern of knots and marks that only Mother Nature can create. .

As one of the softer woods, pine has never been taken seriously as a wood to be used in serious furniture. However, recent public interest in this relatively inexpensive type of wood has thrust pine furniture into the limelight as more of the upper tier furniture stores are starting to carry anything from a few pieces to complete collections.

Pine furniture can be left natural and finished with a layer of wax if you want to create a light airy look in your kitchen or your dining room. The natural white color of the pine will make the whole room look and feel much bigger than it really is and far more inviting.

If you want to add a touch of luxury to your living room or bedroom, you can stain the pine a warm, dark color. Match this with rich colors like deep reds, purples and create an intimate environment that you will want to spend lots of time relaxing in, far away from the hustle and bustle of the day.

You can use decorate a child’s bedroom with pine furniture and paint it in bright vibrant colors with stencils when the child is young and then paint right over it as they grow up and want their room to be as grown up as they are. There is no end to the ways you can decorate your home with this beautiful furniture. You never know you might just start a new trend in your neighborhood and have all of your neighbors coming to you for decorating advice as they decide to make the switch to pine.