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Insights Into Interior Design Designing In Style. Part Iii Traditional – Georgian

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Interior design has always been impacted by fashion trends – both historically and in the modern day. In this article series, “Designing in Style,” I explore the meaning of style for interior designers. I draw on my experience working alongside many of London’s best-known interior design teams.

This third article in my series continues my discussion of traditional/period design, with a focus on the Georgian style.

In terms of dates, the Georgian period is generally considered to have extended from 1714 until 1830. It has since inspired one of the most popular traditional interior design schemes.

London design was considered world-class in Georgian times – UK craftspeople were highly skilled and uniquely specialised. The wealthiest classes insisted on the highest quality, with exacting standards in terms of dimensions and proportions.

A few designers were particularly famous during the Georgian era. Their names, ideas and concepts live on today in the many homes and residences that feature Georgian-inspired interior designs.

William Kent lived from 1684 until 1748 and was an architect/interior designer who is best known for his tables and chairs which featured extravagant gilt decorations and strong connections to Greek and Roman insignia. Today these traditional designs continue to be used by many London Interior Design Consultancies that specialise in the Georgian style.

Thomas Chippendale is a name famous to many discerning Londoners. This cabinet-maker lived from 1718 until 1779 and designed furniture that was less ostentatious than that of William Kent, consistent with British (and London) tastes at the time, and yet exceedingly graceful and refined. Interior designers today will adopt either Chippendale’s original designs or re-envisionments/replicas of his originals.

Finally, Robert Adam was an architect and interior designer who dominated the 1770s with his vivacious use of Roman and Greek motifs, including urns, tripods, and mythological iconography.

Today, London interior design consultancies tend to be cautious with Georgian designs, recognising that this style can look pretentious if too pronounced. Larger, more spacious London mansions with tall ceilings are best suited to the Georgian style of interior design.

The next article in my series “Designing in Style” moves away from historic traditions and focuses in on a timeless interior design classic – the rural countryside.
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Insights Into Interior Design Designing In Style. Part I Foundations

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Interior design has always been impacted by fashion trends – both historically and in the modern day. In this article series, “Designing in Style,” I explore the meaning of style for interior designers. I draw on my experience working alongside many of London’s best-known interior design teams. This first article in my series outlines some of the basic concepts.

One of the first things to note is that we change our interiors much less frequently than we change our clothing. As a result, it is important for the professional interior designer to not design too “fashionable” a room for fear that it might seem completely outdated next year. Certainly it is possible to keep up with furniture fashions – many of which can be seen in London’s monthly interior design magazines – but the professional interior designer will generally prefer to focus on furniture fashions that can be easily changed. Examples include cushions, table decorations, rugs and bed linens.

London Interior Design trends can be very changeable. For example, in recent decades London saw a movement back towards the traditional. The Georgian-style Adam fireplace has seen a major revival, as have other old-fashioned features. Mouldings are very much in style today, and interior designers will commonly include them – whether in plaster or in wood.

Interestingly, the return of the dado rail (even in some of the smaller London residences) has also seen a re-envisioning of the two-tone wall colour scheme. In keeping with tradition, London interior design professionals will often choose a heavier, darker colour below the dado rail and a lighter colour above.

Fabric coordination is very much in vogue. With the increased availability of bespoke fabric centres in and around London, interior designers will often nowadays choose fabrics that are manufactured to match papers, borders, carpets, ceramics and even porcelain.

Finally, style should always be understood in the context of the available interior design space. No two rooms are identical, and every room has both strong points and weak points. The most experienced interior designers will choose styles that can showcase a room’s strengths while hiding its weaknesses. Examples of weaknesses in a room might include some structural re-engineering made by a previous owner, or perhaps an awkward architectural design fault that cannot be remedied today.

In the next article in this series on how interior designers “design in style,” I will introduce you to two of London’s most timeless design styles – Georg
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Insights Into Interior Design Designing In Style. Part Ii Traditional – Jacobean And Victorian

Global Interior Design Consultancy Company in London, UK for interior design services.
Interior design has always been impacted by fashion trends – both historically and in the modern day. In this article series, “Designing in Style,” I explore the meaning of style for interior designers.
I draw on my experience working alongside many of London’s best-known interior design teams. This second article in my series introduces traditional/period design, with a focus on the Jacobean and Victorian styles.

Traditional design uses materials that reflect the wealth and opulence of historic times. London Interior Designers will often take the best of the features that were available back then and skilfully combine them with elements that are available today. Traditional/period interior design projects tend to focus on elegance, with a look and feel that is comfortable, rich and sumptuous, although sometimes also a little fragile.

The Jacobean theme is popular in London mansions and other residences that have a real sense of history. The Jacobean style focuses on heavy wooden features, with dark-stained oak often used to create panels for walls and floorboards. Oak is also often used for the furniture, and the overall interior design feel is that of robustness, with pleasantly-proportioned pieces to fill the available space. Tapestries are also an important part of the Jacobean look. However, many interior designers recognise that tapestries can be impractical nowadays, and one approach often used by London’s best-known consultancies is to recreate the tapestry appearance on modern upholstered furniture or curtains.

One caveat with Jacobean interior designs is that the style does need plenty of natural light, because otherwise the darker wood stains can seem uninspired. This can be problematic in smaller London residences, but is generally not an issue with more luxurious mansions that often feature huge south-facing windows and substantial grounds.

The Victorian interior design style, by contrast, is considered a more staid approach. Interior designers often focus on small rounded tables, often covered entirely in cloth, and fat, heavily-buttoned chesterfield settees. So much of London became urbanised in Victorian times that the style also came to include nature as a theme for textiles, serving as a counterpoint to accelerating industrialisation. Consequently, Victorian interior design schemes often feature floral elements and birds on both walls and furnishings.

In the next article in my “Designing in Style” interior design series, I will focus on a third and final period style that is particularly important for London residences – the Georgian style.
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Royalty And History Colour-focused Residential Interior Design

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Many top London interior designers have played active roles in what has been called the “true-to-history” colour movement in recent years. In this article I will explain what this means through examples from a few different colour categories that are often used in interior designs.

Greens are linked with organic vegetables, good health, and foliage. The ancient UK May Day celebration has historically focused on a May King, who is dressed in late spring garlands of finely-wreathed sprouting green vegetables. The May Queen wears a dress of beautiful white, symbolising vitality, virtue and clarity. In Ancient Egypt, green was used to request fertile soils and good harvests from the gods. Green has strong links with nature, and for interior designers this can be a wonderful colour to use in London flats; green-themed interior designs can take the mind away from the bustle of London’s grey city streets and evoke images of rain-swept countryside landscapes.

The word “yellow” comes from the Old English geolu or geolo, which in turn relates to the Dutch geel, meaning gold. Historically yellow has been associated with joyful sunshine and gleeful celebration. Interior design consultancies and colour professionals will often rely on yellow in interior designs for London residences to banish the dreary gloom of winter rain and autumnal fog.

Blue is historically linked with images of Mary, the mother of Jesus. In origin, the word is Middle English, but also has links with the Old French “bleu” and is ultimately of Germanic origin. London Interior Designers will rely on sky blue to evoke feelings of serenity, peace and relaxation.

Finally, royal purple has obvious associations with aristocracy, monarchy and rich celebrations. Because it has such profound associations, it is only really appropriate in London interior designs for opulent mansions or extravagantly luxurious penthouse residences.

In summary, colour is not just about the visual and the immediate, but also focuses on symbolic associations that cross space and time. Many of London’s top interior designers and colour consultants will take these subtle meanings into account when creating the perfect design for a client’s dream home.
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